Typefaces & Products
Typefaces are sent by email in otf, woff and woff2 with a desktop and web license for 1 user.
License agreement and fonts infos (pdf)
Download trial fonts (AB… ab… 01…)
Don't hesitate to send me an email for any questions, student prices (−66%), new glyphs needed, custom font… Fonts are sent by email, it takes a few minutes, be patient. 😉
bb-bureau
Lettres d’amour – installation at Bel Ordinaire – project with Maison des éditions and Julien Bidoret.
HARBER specimen, both sides riso A2 poster printed by Quintal Éditions. 5 colors on Munken Print White 90g, folded A4 (or A3 poster, folded A5).
Moki specimen, both sides A3 riso poster printed by Quintal Éditions. 3 colors on Munken Print White 90g, folded A5.
Tokyto specimen, both sides A3 riso poster printed by Quintal Éditions. 3 colors on Munken Print White 90g, folded A5.
[available in shop]
Poster for the 5 years exhibition of Quintal Éditions.
[available in shop]
Drawing and Writing tool designed for a workshop at Soma curated by Fotokino.
« Il semble que le mot et le concept de zéro soient nés en Inde, sous le terme de sanskrit śūnya : “vacant”, “espace”. Autour du IXe siècle, il apparait sous la plume des savants arabes, où il devient sifr, “vide”. Le sifr entrera progressivement dans la langue française, avec l’introduction en Occident des mathématiques et de l’astronomie arabes. »
Contribution to Vacarme, collective exhibition curated by Les Mots Voyageurs at La Condition Publique.
You will love bicycle! with Gröb typeface.
Gröb specimen and poster of the specimen, printed by Quintal Éditions. Specimen: both sides black on A2 Munken Print White 90g, folded A4. Poster: both sides black and blue on A2 Munken Print White 90g, rolled.
[available in shop]
Bilibot specimen: both sides A2 poster, riso printed by Quintal Éditions, on colored paper 90g, folded A4.
Pimpit specimen: both sides A2 poster, riso printed by Quintal Éditions, 4 colors on Munken Print White 90g, folded A4.
Lettering for modular signage system designed with Nicolas Gautron for La Halle 6 Est by Avignon-Clouet architects.
Gikit specimen: both sides poster, riso printed by Quintal Éditions, 3 colors on Munken Print White 90g, folded A4, open A2.
Poster for ENTKUNSTUNG — Edition of 10 stamped and numbered, printed on 160g high white paper, 50 × 70 cm.
BallPill specimen: both sides poster riso printed by Quintal Éditions, 2 colors, Munken Print White 90g paper, folded A4, open A2.
Riso specimens – both sides posters printed by Quintal Éditions [Brutal, GroteskRemix and Standard], 2 colors on Munken Print White 90g, folded A5, open A3.
Poster for Pli 05 — Obsession
Guide de l’étudiant of l’Ésac Cambrai — collab with Antonin Faurel. Type: Pickle-Standard (1) and Elastik regular C; Print: Jelgavas Tipogrāfija
Panneaurama — posters about landscapes, at the médiathèque Hermeland and around. Curated by Super Terrain and the médiathèque Hermeland and comissioned by Saint Herblain city.
Copy — A1 poster for Iocus posters curated by Pedro Ajo and Carlos Mayo.
Sudokube for Étapes 250
AB poster with Antonin Faurel
italic regular italic — t-shirts, with Pickle-Standard typeface.
6 colors poster (30 × 40 cm) contribution to “Copies / Multiples”. Riso exhibition curated and printed by Quintal Éditions.
Narrative specimen posters showing with humor bb-book A typeface.
30 × 4 numbered posters (60 × 80 cm) designed for Air poster in 2 colors (metallic 876 and dark blue) silkscreen printed at Lézard Graphique.
Poster for Bookster – Les Fleurs du mal, Charles Baudelaire
Flag for FIG (Festival Inopiné de Graphisme)
The beginning of shit, in collaboration with Mamiko Motto
nobody reads the interview — poster (594 × 841 mm) and interview on Posterzine. Photo: Athenaeum Nieuwscentrum
NOW WE CONTINUE — Stamp for FIG (Festival Imparable de Graphisme)
FONTS CATALOG – 200 numbered copies, 12 pages, 380 × 560 mm, offset printed in black on Olin Bulk Ivory papier, sold out.
Flighty posters for Air poster. 30 × 2 numbered posters (60 × 80 cm) in 3 colors (fluo ink) silkscreen printed at Lézard Graphique.
For Nrmal
(with bb-book A typeface)
Lettering for BOZO Mag
Screenprinted interview on sweatshirt — published by Paranomen and available on ITHAAC éditions shop.
Graphic identity for s=eee — compound of Side A, triangles and an outline polymorphic signature.
Visa pour l'art - passport to discovery Parisian crafts.
Some posters for Ficciones Typografika [1] [2] [3] [4] [5]. Photo: Erik Brandt. Types: Elastik and bb-book contrasted.
Series of 4 Side A posters specimen, 60 × 80 cm, designed for Air poster. Silkscreen printed in 3 colors at Lézard Graphique.
Text Column — 2 rolls of wallpaper composed in Side A typeface (Unit and Half) designed for Feathr.
Exhibition — La typo, c’est sérieux ! (Typography, this is serious!) 2013 at ToutouChic Art Gallery, Metz.
Mineral poster (60 × 84 cm) — Silkscreen in 2 colors (white and silver) on licorice pop'set 170g
«le poids de l’œil» (The weight of the eye) — Unreadable hymn to unreadability — Poster 89.5 × 128 cm for Soirée graphique n°6.
Marianne poster (60 × 84 cm) — Silkscreen in 3 colors on cyclus offset 170g
Dream - poster for Miniposterzine project - whatever gets you through the night - initiated by Marc Zenhäusern.
ZIGZAG Poster (50 × 70 cm) — Silkscreen print in silver ink on arctic paper volume hight white 150g
Open Doors poster for l’Ésac Cambrai (with Mineral typeface).
Design principle according to a doodles grid for blank covers of Kiblind n°50 (backed by a workshop).
Poster transcribing the interview of the letter ‘C’ designed for Re_Type exhibition in Bilbao.
Vivat — graphic identity and covers of the theater for seasons 9–10, 10–11 and 11–12. Design of ZIGZAG typeface for the last season.
Pack Catalog
Politip (1)
Politip (2)
HARBER
Moki
Tokyto – Pack
Tokyto – Single
Gröb
Bilibot
Pimpit
Gikit
BallPill
Standard
Elastik – Pack
Elastik – Single
GroteskRemix
GroteskRemix Monospace
Pickle-Standard
Brutal
bb-book
bb-book B
bb-book A
Tme
Pipo
Mineral
Marianne
ZIGZAG
Products
Posters and specimens are sent via the French Post. Don’t accept the package if it seems damaged.
Gröb specimen
Pack of 6 (A3) specimens
HARBER (A3) specimen
Tokyto specimen
Brutal specimen
GroteskRemix specimen
Standard specimen
Gikit specimen
Quintal Éditions 5 years poster
Gröb poster
Air poster n°1
Air poster n°2
Side A specimen n°1
Side A specimen n°2
Side A specimen n°3
bb-book A specimen n°1
bb-book A specimen n°2
bb-book A specimen n°3
bb-book A specimen n°4
Politip
HARBER
Moki
Tokyto
Gröb
Bilibot
Pimpit
Gikit
BallPill
Paradox
Custom type for Olivier Fredj and Paradox Palace
Waldeck
Custom type for Waldeck Néel
Standard
Pickle-Standard
Elastik
GroteskRemix
GroteskRemix Mono
Brutal
ABD
Custom type for Atelier Belenfant Daubas – Architectes
bb-book
bb-book B
bb-book A
Kiblind
Custom type for Kiblind magazine
Tme
Mineral
Pipo
Marianne
ZIGZAG
Benoît Bodhuin
(graphic + type).design
Nantes, Europe
bonjour@bb-bureau.fr
+33 (0)6 61 07 32 11
(No interns needed for now) 😬
bb-bureau is a graphic design studio specializing in typography and set up by Benoît Bodhuin. He mainly works for cultural scene in many graphic areas — visual identities, signage, editorial or web design, posters… doing custom graphic and type design.
“My indecisive curriculum allowed me to study mathematics, product design and then graphic design in St-Luc (Be). A short stay in agency convinced me to work for myself — for many years now. An unshackle design and a great interest in typography characterize my practice, with a production standing out by freshness probably due to my self-type-taught. I also teach typography.”
Condensed c.v.
— Graphic designer (since 2004);
— Type designer;
— Type teacher (since 2011);
— Graduated from Ésa St-Luc Tournai (2003);
— D.E.U.G. in mathematics and Bac E.
Workshops
— 2024: ESAV Marrakech
— 2023: ESAD Pau, ESAV Marrakech, DN MADE Tréguier
— 2022 and before: ESAV Marrakech, MJM Nantes, École de design Nantes, EESAB Lorient, Campus fonderie de l'image Paris, La Cambre Bruxelles, ECV Bordeaux, Gerrit Academie Amsterdam, HfG Karlsruhe, EEGP Angers, ENSA Limoges, ECV Nantes, Lisaa Nantes, Dsaa Chaumont, Ésac Cambrai, Ésad Orléans, ECV Lille.
Some publications
— Sans in use – A collection of sans serif typefaces (victionary)
— The Graphic Design Bible (Theo Inglis)
— Typodarium (2024 ← 2012); L'écoconception pour les graphistes (Lucile Quero, Pyramyd éditions); Design Magazine CA 267 Illustration &…; Pica Magazine 14p0 Caprice; Posters Can Help (Slanted); Typozimmer (Nr:9: One Man Foundry); étapes: (269, 250, 215, 203, 200, 174, 141); Slanted (40, 25, 22, 19, 18, 17); New Aesthetic 3 (Leonhard Laupichler & Sophia Brinkgerd); Périphérie #1; Shoplifters (n°10, n°8 / Actual Source); Catalog of the 3rd edition of the International Graphic Design Biennial; A-Z (Vrints-Kolsteren Editions); [la lettre] Newspaper of Les Rencontres internationales de Lure (n°B, mai 2021); äntrepō (Vol. 1: Revelations); Support Independent Type (Slanted); Juge Blond (Musée de l'imprimerie de Nantes); Typex (Olivier Deloye & David Rault, Atelier Perrousseaux); Tricot Graphique (Rüdiger Schlömer, Eyrolles); eye (98 vol.25); Ficciones Typografika 1642 (Formist Editions); Entkunstung n°3; intramuros n°186; IdN (v24n6, v20n6, v15n5); Type for Type (victionary); New Typography Sketchbooks (Thames & Hudson / Abrams); La Perruque n°8; IDPURE (n°35, n°33, n°29); Los Logos (n°6, n°5, n°4, Gestalten); Yearbook of Type II and III (Slanted); Turning Pages (Gestalten); It’s my type (SendPoints); Type Plus (Unit Editions); Threaded; Kiblind; Creative Review; Neue Schriften. New Typefaces (Niggli); Labor; New Typography (Artpower); addmagazine.
Some exhibitions and events
— Lettres d’amour (with Julien Bidoret, curated by la Maison des éditions, Bel Ordinaire, Pau, 2024)
— Lecture at tga (typographische gesellschaft austria, Vienna, 2023)
— Lecture at Ressouvenances typographiques (Musée de l’imprimerie Nantes, 2023); Workshop at Fotokino (design of a drawing and writing tool, Marseille, 2022); Vacarme (Collective exhibition at La Condition Publique, Roubaix, 2022); Conference at Les Rencontres internationales de Lure (Lurs, 2022); 29th International posters Competition (Chaumont, 2021); Création typographique française contemporaine (Musée de l'imprimerie de Nantes, 2020); De toutes façons... (Collective exhibition at Le Signe, Chaumont, 2019); Fig. (Collective stamps exhibition, Liège, 2019); Graphic Design Festival Scotland (2014, 2019); Fig. (Collective flags exhibition, Liège, 2018); Fonts Catalog (Exhibition at Kuuuch, Brest, 2017); Air poster (Paris, 2014, 2015, 2017); International Poster Biennale in Warsaw (2014, 2017); Golden Bee (Moscow, 2014, 2016); Type is sexy (International design biennial of Saint-Étienne, 2015); Typomad (Madrid, 2014); Lahti (Poster Triennial, 2014); Fête du graphisme (Paris, 2014); La typo, c’est sérieux ! (?) (Exhibition at Toutouchic Art Gallery, Metz, 2013); Soirée graphique (n°6, 2013); Call for Type (Mainz, 2013); International Invitational Poster Festival (Turkey, 2013); SeedFactory (Bruxelles, 2013); Re_Type (Bilbao, 2012).
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Credits
Design by Benoît Bodhuin, all rights reserved.
Web development by Waldeck Néel.
Fonts developed with Glyphs